
The story revolved around a reluctant detective who had dazzled Myrna Loy who married him and he lived off her money shamelessly smoking, drinking, gambling and watching sports events.
The resolution of the mystery is with a group of interested people sometimes at a dinner table. Nick doesn't necessarily know who committed the murder, but does know someone at the gathering did it and others will confirm details. Of course there are many red herrings and dead ends, but it all makes satisfying sense in the end. Along the way is much clever dialogue and amusing situations, but of course there is always a murder to spice things up.

Clever dialogue flows from the writers. Nowadays dialogue is loaded with four letter words and is laughed at, but even before the Code more effort is put into getting a laugh. Double entendre jokes are a little more difficult and really more satisfying when done well.
Dashiell Hammett wrote the book that inspired the series. Near as I can tell he provided the character and some strands of plot especially for the first one, but to some extent for the rest of the series. His credentials are impressive as he had worked for the Pinkerton Detective Agency at different times from Baltimore, Seattle and San Francisco. He wrote "The Maltese Falcon," which was made into two movies. He also wrote "Watch on The Rhine," which in movie format won an Oscar. He lived off and on with another famous writer, Lillian Hellman.

Albert had been a child actor, including in 1919, Anne of Green Gables. His last acting was in 1940 in "Mr & Mrs. North" on Broadway. He had been involved in writing in Broadway and hooked up with Frances a Broadway writer, marrying and moving to Hollywood. Their first film was "Up Pops the Devil." As a team they were nominated for four Oscars, "The Thin Man," "After The Thin Man," "Father of the Bride" and "Seven Brides for Seven Brothers." Also won award for "the Diary of Anne Frank." Wrote the perennial Christmas favorite, "It's a Wonderful Life."
Irving Brecher wrote the screenplay for "Shadow of the Thin Man." An early start was with radio that gave him the opportunity to write for Milton Berle and Groucho Marx. He got an Oscar nomination for "Meet me in St Louis." As a baby boomer I remember "The Life of Riley," and "Bye Bye Birdie." He also was a producer for tv.
A co-writer for "Shadow of the Thin Man" was Harvey Kurnitz who at one time had been a reporter. He wrote a book, "Fast Company" and was given the opportunity to write the screenplay which led to many other scripts. Some of his other film writing included, "Witness for the Prosecution," "Hatari" and "A Shot in the Dark." He also contributed to "The Thin Man Goes Home."

For "Song of the Thin Man," used at least three writers. Steve Fisher is perhaps best known today for "Destination Tokyo" and several tv series including "Fantasy Island," "McMillan and Wife" and "Ripcord." Nat Perrin was a lawyer who never practiced, but instead worked for Warner Brothers in their publicity department and from there he got some support from Groucho Marx and was hired as a gag writer. Later he too wrote for tv. shows and also became a director and a producer. Harry Crane was a stand up comic at age 19 and wrote for Laurel and Hardy and later wrote for tv series including Dean Martin and Joey Bishop.
W.S (Woodbridge Strong) Van Dyke directed the first "The Thin Man in 1934 and went onto direct another three sequels. In 1916 he had been hired as one of many assistants to D. W. Griffith making "Intolerance." By 1917 he was directing his own films. In 1920 he earned the nickname "One Take Woody" while filming Jack Dempsey who tended to knock opponents out with one punch making it difficult to repeat. He developed the reputation of filming quickly and cheaply. He worked with Myrna Loy and William Powell in their first film together, "Manhattan Melodrama" in 1934, a movie made famous because it was watched by John Dillinger just before he was shot to death. The same year Dyke filmed "The Thin Man" in 16 days. He did a variety of interesting movies, including , "San Francisco" "Tarzan the Ape Man" and 'Rose-Marie." He worked closely with Jeanette McDonald and Nelson Eddy. At the time of Nelson Eddy's marriage he stopped Jeanette's attempted suicide. In 1961 he suffered from a heart condition and cancer and decided to commit suicide.

Edward Buzzell directed the last of the Thin Man movies, "Song of the Thin Man." He had been a musical comedy star on Broadway and came to Hollywood for the film version of "Little Johnny Jones." He did a number of shorts and got into directing through that format. He directed a number of Marx Brothers films.
William Powell for me is a big reason for the success of The Thin Man. He started on the New York stage in 1912 and moved to Hollywood for the silent film era and encountered marginal success, but unlike many others, sound boosted his career. He had great comedic timing and his stage training gave him an edge. He never gets too excited and usually has a sarcastic remark after surprises. In 1934 he switched to MGM studios and his first film was "Manhattan Melodrama" with Myrna Loy (the first of 14 films they appeared in together). His next film was "The Thin Man" and over the next 13 years added 5 more sequels. He had 3 Oscar nominations including "The Thin Man." In 1936 he was the star of "The Great Ziegfield" when it won the Oscar for Best Picture. He had a two year relationship with Jean Harlow, but after they became engaged she died. Later he married Carole Lombard who he had appeared with in "My Man Godfrey," but they divorced after two years. His third marriage was after knowing Diana Lewis for only three weeks, but this one lasted 44 years until his death in 1984.

There is a wonderful world of black and white films where the story is more of a king that is the case today.
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